Tag Archives: improve your writing

Eradicate Junk Words from Your Writing

No JustAs an editor, I’ve encountered a lot of meaningless, overused words peppered throughout otherwise good manuscripts. And I’ve scratched my red Uniball Micro pen over those words.

Here are some words that are junk. They’re like weeds cropping up in a manicured lawn. Eradicate them, and you’ll improve your writing.

Possible exceptions include when these words are used in dialogue, although do so sparingly.

Junk Word Example Comments
just Sheila just didn’t know what to do about it.

She was still nauseated, and not just from the bad food.

He watched her cry, just like his mother.

You can keep it if it’s a noun that means “guided by truth, reason, justice, and fairness.”

Used as an adverb, as in the examples, it’s junk. If you must keep it, better alternatives are simply, merely, or only.

Delete it and stop using it in your writing. For an in-depth discussion, see Are You Using the Word “Just” Too Much?

even Why did they even come?

Yet, even as the leaves fell, he persisted in hiking without a jacket.

Used as an adjective meaning “flat” or “on the same level,” you can keep it.

Used as an adverb meaning “still, yet”—delete it.

ever Wiley felt sillier than ever before.

How did she ever manage to do it?

Used as an adverb to mean “at any time,” you should delete it.
very Edward was very tall.

Hailey was caught in the very act of driving without a license.

Used as an intensive or superlative, it’s overdone and unnecessary. Ditch it and use a stronger verb.
really

Jake was a really big kid.

Alphonse really didn’t care for Muenster cheese.

Used as an adverb to mean “in reality, actually,” you can keep it, but use it sparingly.

Used as a superlative meaning “very, genuinely, truly, or indeed,” it’s a junk word—delete it.

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Lee Allen Howard’s Eight-step Writing Improvement Process

Do you want to improve your writing? If so, you must identify and fix specific problems with your prose.

You must learn new editorial techniques and incorporate them into your writing toolbox, deliberately applying them through practice until you internalize their use. Then you’ll be able to write better first drafts.

How I Learned the Process

Lee Allen Howard's Eight-Step Writing Improvement ProcessWhen I discovered what a dangling participle was, I noticed I was dangling them in much of my writing. Finally recognizing the issue was like switching on a spotlight. I saw them everywhere. I was shocked.

It took me a few years to consistently catch and fix this problem in my writing during the self-editing process. It took a while longer to catch myself making the mistake when I was writing—and correct it on the spot.

I still goof up at times, but I’ve trained myself to recognize the issue and eradicate it from my prose. Better yet, I taught myself to stop making the mistake when writing first drafts.

Over the years, I’ve crystalized the process we go through as writers learning the craft—or anyone learning a new skill. Here’s how to use it purposefully to make your writing better.

Lee Allen Howard’s Eight-step Writing Improvement Process

1. Write without restriction.

Whether you’re writing fiction or nonfiction, this initial phase is when you tell your inner critic to take a time out and sit in the corner for a while.

Write with abandon and don’t worry about whether it’s any good. Simply get the words down as fast as you can.

You will, of course, be using techniques you’ve already internalized: the proper way to spell “accommodate,” making your subjects and verbs agree, and attributing your dialogue with “said” and not “opined.”

2. Revise your work.

Now it’s time to read your work with a discerning eye. Have you said what you meant? Have you said it the best way?

Revise to include everything that should be there and exclude anything that shouldn’t.

To learn more about revising and editing, I recommend these books:

  • Self-editing for Fiction Writers, Renni Browne and Dave King
  • Revision, David Michael Kaplan

3. Learn about problems you need to identify.

Read about dangling participles, cutting unnecessary details, using commas properly, eliminating little words, ferreting out filtering phrases.

Some excellent texts about editing on my library shelves include:

  • Getting the Words Right, Theodore A. Rees Cheney
  • Editing Fact and Fiction, Sharpe and Gunther
  • The 10% Solution, Ken Rand

4. Examine your writing critically, like an editor.

The links and books in the previous points should help you do this. But what if, even after studying, you’re blind to what your issues are—mistakes that keep you from getting published? What you don’t know can hurt you.

Although I learned by reading dozens of writing texts as well as trial and error, it took me thirty years to discover what I know now and am sharing with you. Do you have that time? Most writers don’t.

What you need is an editor who will teach you how to self-edit your work. I can help you identify your issues and provide advice that will enable you to find those problems in your work so you can fix them yourself. To learn more, see Professional Editing Service.

5. Identify issues in your writing.

Once you realize what your issues are, you must go through your writing carefully to identify those problems you’ve learned about. Cast a critical gaze at what you’ve drafted.

This could be a struggle when you’re learning to implement a new technique. But you’ll get better with practice. There’s no way around this (see side note below).

When you’re learning an editing technique, it’s too hard to fix every mistake in one pass. I recommend going through your work a story or chapter at a time, looking for only one issue—whether it’s dangling your participles, creating unnecessary distance with filter words, or overusing adverbs. Flag each with a comment that pinpoints the matter.

This approach lets you concentrate on that issue alone. It’s the best way to learn how to identify a newly discovered problem in your writing.

(Side note: For each new technique I discovered, I went through every unpublished short story on my hard drive and corrected each of them for that issue. I did this time and again, editing some stories over 500 times. That’s how I learned. In other words, practice makes perfect.)

6. Edit to correct those issues.

After identifying issues, go back and correct each one. Apply what you’ve learned in your reading. Or contact me to edit some of your work to identify issues you’ve been missing—and teach you how to fix them.

Use everything in your editor’s toolbox to improve and polish your work. Make several passes.

7. Internalize the process of identifying and correcting those problems so that every time you edit your work, you catch and fix them.

If you’ve followed the process so far, you’ve learned to identify, find, and fix your recurring issues. It’s hard work at first, but you’ll get better as you continue to practice.

You’ll eventually reach the point where you’re able to find and fix multiple issues on the first or second pass of self-editing. You have internalized the new technique; it’s now committed to your editorial toolbox.

8. Train yourself to write better so that you don’t make those mistakes in the first place.

Although you should write without restraint and not let self-criticism hamper your efforts to get the story down (step 1), you’ll experience moments when you stop to think about what you’re going to say.

These are the moments to insert the new techniques you’ve learned, applying what you’ve internalized during the editing phase to the writing process. Why forever make the mistake of dangling your participles only to fix them during editing?

Move mastered techniques into the drafting process and train yourself to write it right the first time.

Use the Process

Now that you’re aware of this process, consciously employ it to master editing skills more quickly. All it takes is dedicated practice.

Over time, you’ll continue to adopt new methods that you’ll incorporate into the writing phase, and this will make your first drafts better. Good luck!

Copyright 2021 Lee Allen Howard.

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Treat Your Digital Fiction Like Software

How You Can Constantly Improve Your Indie-Published Work

When traditional publishing ruled, once a book was printed, it was set in stone. That’s why they employed editors and copy editors to improve the story and ferret out all the mistakes: once the book was typeset and thousands of copies printed, it couldn’t be corrected. But we’re in the digital age now.

If you’re an indie author, you’re responsible for everything: the writing, the formatting, the editing, the publishing, and the marketing. It’s hard to guarantee perfection at every step. The good thing is, nothing’s set in stone. In today’s publishing world your books are tantamount to software. If you didn’t get it right the first time, there’s always version 2.0.

At one point I debated whether this was ethical. After my initial release of a book, should I change it? I was still recovering from the bircks-and-mortar bookstore/paper tome/traditional publishing paradigm. Now I think, If you know it needs to be corrected or can be improved, can you ethically not give your readers the best product you’re capable of providing?

If you discover you need to make corrections to a work already published, you can do so and simply upload a new version to your favorite sales portal. Along with the power of having your own digital Gutenberg comes great responsibility.
Digital book 2.0
As a technical writer 25+ years in the software industry, I adhered to this principle in the millions of pages of documentation I wrote and published: If it needs fixed, whatever the reason, fix it and republish ASAP.

Going the extra mile is in your favor. If you get a less than spectacular review and the reader complains about something you can change, do so as quickly as possible to prevent others from jumping on the bandwagon. For instance, if a number of reviewers (precious few nowadays) bitch about how much they hated the ending, REWRITE IT.

Like the in-house Quality Assurance department, your beta readers don’t always catch everything before you publish. Once your work is in the hands of the public, you become Helpdesk and Support Services, fielding complaints and logging issues for product improvement. Your product.

I’m not advocating changing your fiction at the whims of your readership. If you made a decision that you know is right for your story, stick with it. Yet if it concerns some other issue you can rectify, do so. Reminder: it pays to take your time and ensure you’re putting your best out there the first time.

Sure, some readers will always own 1.0. These are the breaks. But some of your readers getting an improved pub is better than all of them getting version 1.0 with all its bugs. It’s simply not necessary with digital texts.

Amazon lets you notify readers that a new version is available. I did this once for a classic I had republished because an OCR scanning error turned into a factual error that I didn’t catch. I don’t recommend you do this unless absolutely necessary. Especially with fiction, once it’s read, it’s read.

But if you get a chance to improve your published work—whether it’s to correct typos, smooth out a scene, fill in a plot hole, or post a new cover—by all means, do it. Constant improvement is the professional stepstool to greater sales.

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